Monthly Archive: November 2018

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STERBUS Real Estate/Fake Inverno (2018) review

I feel like the luckiest person alive when I get possession of recordings like this. Simply one of the absolute best releases of 2018, and that is keeping company with a dozen or more premium monumental albums sent to me this year. From Rome, Italy, a sprawling double disc set that lays down a large fluffy blanket in a sunny meadow towards the end of summer (estate in Italian), and spends the next months into winter (inverno in Italian), making music inspired by the long visit. A pure bliss of 76 minutes (including the download only bonus track ‘Blackducks on Parade’).

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THE 180 Gs Singin’ To God (2018) review

With unlimited skill and patience, David Minnick, the man who created this imaginary a capella vocal group The 180 Gs (the name came from a composition from the band Negativland, called ‘A Big 10-8 Place – Part 2’) tackles the double disc music of Cardiacs ‘Sing To God’ (a 1995 stunner that many fans feel is their ultimate offering). The result is a feat nearly impossible to conceive, using anywhere from one hundred or more overdubs on each track, to generate this massive undertaking.

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Eclectic Maybe Band – The Blind Night Watchers’ Mysterious Landscapes (2018) review

An outerlimits excursion by astro travelers and gifted musicians from several prized members (or former members) of Univers Zero, Pablo’s Eye, The Wrong Object, Morton Fork Gang, and much more. You know this will be special. In short, it is elsewhere and otherwise, in a set of nine improvised compositions that spy on the other side of your brain, cheat the usual adjectives, and defy any musical boundaries.

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Six-Ring Circus – Six-Ring Circus (2018) review

From France, this highly inventive quintet has already spent three years in collaboration before releasing their debut recording. Winning prizes since 2015 (as best emerging band, best band in some events, etc), the group is as slick and classy as top shelf diner jazz, but with plenty of bumps and grinds, bravery and brilliance, and a little bit of everything. This French progressive jazz rock outfit gives off flavors of Gentle Giant, Sloche, Bill Bruford’s Earthworks

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